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The paper examined the religious context of the „two Europes" (East - West) thesis as regards: a) comparative analysis of the processes and trends in contemporary religiousness; b) legal dimensions of the relations between State and Church ("onthological primacy" of the State) and the problems of the inter-religious dialog.
Comparative analysis of these tendencies indicate certain general similarities. Analyzed are the causes for both the differences and similarities in these processes, and special attention is devoted to the secularization as a continuing process in "both Europes".
Keywords: contemporary religiosity, two Europes, religious "revival", religion and state, secularization trend.
The paper examined the religious context of the „two Europes" (East - West) thesis as regards: a) comparative analysis of the processes and trends in contemporary religiousness; b) legal dimensions of the relations between State and Church ("onthological primacy" of the State) and the problems of the inter-religious dialog.
Comparative analysis of these tendencies indicate certain general similarities. Analyzed are the causes for both the differences and similarities in these processes, and special attention is devoted to the secularization as a continuing process in "both Europes".
Keywords: contemporary religiosity, two Europes, religious "revival", religion and state, secularization trend.
Abstract: The paper analyzes some anthropological aspects of love and love-related relationships in the famous novel The Idiot, by Fyodor Dostoevsky. The love in the love quartet, experienced by Prince Lef Nicolaievitch Muishkin, Nastasia Philipovna, Parfen Rogojin and Aglaya Epanchina is stamped by passions and paroxysms: sufferance, compassion, adoration, pride, joy, self-umiliation, self-destruction, happiness. Here the love is split between body and soul, sufferance and happiness, subjection and freedom, life and death. The body-soul relation and split is especially emphasized. The soul sufferance is analyzed as influencing the body sufferance and the self-destruction. The passionate love is seen as an expression of vitality, of deep and magic relation between man and women, oscillating between freedom and subjugation, joy and sadness. Those aspects of human essence, interpreted in the novel, are put in anthropological perspective.
Keywords: love, love quartet, passions, body, soul, sufferance, compassion, happiness, freedom.
The paper describes and analyzes some philosophical-historical approaches toward West as type of civilization, regional culture, cultural areal, that possesses a universal historical perspective. The critical and analytical approaches of M. Weber, A. Toynbee and Assen Ignatov are described. The “capitalist spirit”, the western rationalism, militarism, secularism are emphasized and criticized. The capacity of the West to be open, dynamic, to self-transform itself is analyzed within the framework of its potential historical universality.